Răspuns :
Undoubtedly, all the interest of the 1950s lies in the fact that it was a decade of crossing the two worlds. On the one hand, the fashion, locked in a canon and shutting the woman in a golden cage, was symbolized by a crooked waist that would disappear with the rains of some Saint Laurent, Christian Dior's successor on avenue Montaigne in 1947 .
On the other hand, the prêt-à-porter, supported by the network of street tailors, who copied the great models and especially the new commercial experiences that offered that image. "Associated Croup", such as Carven, Fath, Paquin, Dessès and Piguet, who, in 1950, joined together with several manufacturers to edit a few modest priced models every season in provincial stores. By this move, they were implicitly announcing a new generation, not yet called the "baby-boom." Starting in 1947, Christian Dior launches his first collection. He rejects the image of the boxer-looking soldier: the war was over. Chic and feminine women, women-flowers, dresses and t-shirts on the waist, underlined their breasts, rounded hips and wide skirts.
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